Olympus OM-D E-M5 Digital Camera Review

Olympus OM-D E-M5 Digital Camera is the first of Olympus' OM-D range of Micro Four Thirds cameras and is styled to look like the its classic OM series SLRs. We've had a chance to use one of the most rumored and speculated-about cameras of recent years and have prepared a full, hands-on preview. We take a look at the camera's features and explain its levels of customization.

The new, revolutionary mirrorless camera, the Olympus OM-D E-M5 Digital Camera, has an exceptionally light and compact body. Its Electronic View Finder enables photographers to check exposure levels, white balance and preview Art Filter effects in real-time. When shooting, the photographer can instantly "create" a truly unique world and preserve it in exceptional quality. The "world" will be transformed from something you see to something you "take part" in.

The Olympus OM-D E-M5 Digital Camera's new high-resolution electronic viewfinder (EVF) features a 100% field-of-view coverage and 1.15x maximum magnification that let you totally immerse yourself in your subject, and actively control image creation. The EVF also enables you to enlarge the focus point for precision focusing in virtually any shooting situation, and can show you the effect of Highlight & Shadow Control, White Balance, Exposure Compensation, Aspect Ratio, and a host of other settings and advanced digital image processing functions right in the viewfinder. With improved precision and responsiveness that make it as easy to use as an optical viewfinder, the OM-D's advanced EVF gives you virtually unlimited creative control.

In addition to its new electronic motorized M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with quiet, linear drive AF, the OM-D is supported by an ever-expanding range of wide-angle, macro, portrait, and telephoto Micro Four Thirds M.ZUIKO DIGITAL lenses. System accessories include cases, straps, filters, external flash units, and mount adapters for Four Thirds System lenses and OM System lenses.

Panasonic Lumix GX1 Digital Camera on Review

Panasonic Lumix GX1 expands the award-winning series camera system: the Lumix family. The digital camera captures still images at up to 16 megapixels, uses interchangeable lenses, a Live MOS sensor, and Panasonic's own house "Venus Engine".

The Panasonic Lumix GX1 Micro Four Thirds digital camera processes light sensitivities up to ISO 12800 and specifies otherwise, a lot of emphasis on speed: thus requiring autofocus only 0.09 seconds to focus, what the Lumix GX1 would especially qualify for spontaneous shots. Continue to accelerate the system camera in burst mode at up to 4.2 frames per second.

The results appear on a three-inch control display that operates via a touch screen interface as a hub for the many functions of the camera. If necessary, the Panasonic GX1 can be extended with a viewfinder, which has a display with a rich 1.44 million pixels. Regardless of future, Panasonic GX1 can access a large range of accessories hodgepodge of family access. Alternatively, the device also supports lenses made by Olympus. In addition to single frames draws on the Lumix GX1 if required videos in full HD quality.

Panasonic Lumix GX1 Pros and Cons

Pros: the first time around the camera develops the well-known virtues of the Lumix family of products: The device has a good grip, excellent workmanship and really fast. How quickly the Panasonic GX1 really is, is most likely to guess at a spontaneous recording: From Power to resolve perceived to pass four seconds - far from the actual values will quickly realize that speed actually has a very high priority for this device.

The functionality is similar to its predecessor and is abundant. Purchaser of that equipment will benefit not least from the large accessory spectrum, which is now offered by the manufacturer. The image quality is also no doubt about the quality of the product. The Lumix GX1 produces sharp, color-accurate snapshots and full HD video at a high level.

Cons: In terms of design, the GX1 is behind its competitor like the Sony Alpha or the Olympus: The case seems too simple, sometimes it simply lacks of a clear design language - there must still stoking the Japanese manufacturer.

Conclusion on Panasonic Lumix GX1

The Lumix GX1 will follow in the successful footsteps of its predecessor, radical changes / improvements, however, are not in sight. Panasonic is focused on the basics: image quality and speed. Those looking for DSLR-like features in a compact format can not do much wrong with this Panasonic Lumix GX1.

Sony NEX-7 Brings Professional Level into Compact Size

Sony NEX-7 brings digital SLR quality into small compact camera. Priced for about $ 1500, the digital camera from Sony is perfect as a second camera for professional as well as an ambitious beginner.

The Sony NEX-7 digital camera brings top class equipment: a professional image sensor in APS-format with a resolution of 24 megapixels. In the first pre-test ensures this crucial part for noise-free images even under poor lighting conditions, the video quality is described as very good. No wonder - the new image sensor allows for a real recording at 50 frames per second. This Sony digital camera has two electronic shutter curtains. React with 0.02 seconds.

Sony NEX-7: Inside the digital camera

Also on the back of the mirror less camera has been upgraded properly: an electronic viewfinder for image control is equipped with OLED technology, especially high resolution. Also the display with a resolution of 921 000 pixels in tilting design is another plus for image control. The Sony digital camera system also promises a continuous shooting speed of up to 10 images per second. So nothing happens when changing lens, the Sony digital camera avoid a dust protection system to image noise.

Even beginners can cope with the Sony NEX-7: This is ensured by many scene modes and also the coveted swing panorama functions. Popular features such as the smiling portrait of detection are as professional as this line appears in the display or the viewfinder, so you can find the right horizon. In the video function, you can even control the exposure manually, so that also occurs in this area of professional photography. The hot shoe and a lightweight body coated with magnesium and weigh 10.2 ounces.

Impression of Sony NEX-7

The NEX-7 promises a highly professional photo technique and performance at this compact size. At least for committed amateur photographers this camera could be a lighter alternative to D-SLR. Sony NEX-7 is coming soon.

Kodak Easyshare Z5010 Digital Camera Review

Kodak Easyshare Z5010 comes with 21x optical zoom. the digital camera with dimensions of 11 x 8 x 8 inches is not just compact, due to the extremely contoured grip for the four batteries it is certainly good tactile in the hand. On top of the handle are located next to the trigger, the control buttons for flash, macro and filming, the zoom rocker is located beside the display screen.

This is expected, the operating concept of the Kodak Easyshare Z5010 digital camera well be thought through. At the large rotary knob on top you can set the desired recording mode. With a weight of 400 grams, the EasyShare Z5010 digital camera is bulky.

Kodak Easyshare Z5010: Details

Schneider-Kreuznach lens with a focal length of 25 to 525 millimeters of this camera provides a large amount of good wide angle zoom to a good telephoto lens. So that nothing blurred since there is also an optical image stabilizer. The auto focus is also on board. This should improve the shutter lag on the Kodak Easyshare Z5010 Digital Camera at close range on good values. It uses CCD image sensor with 14 megapixel resolution.

The digital camera records videos with HD resolution of 1280 x 720 pixels and 30 frames per second. The digital image stabilizer engages in dark scenes, the microphone picks up only in mono, and also the optical zoom during filming is not usable. It does provide the possibility to change the exposure settings manually complete. The panorama wizard - with a little patience - can make all-round views.

Kodak Easyshare Z5010: Conclusion

That shines above all by the large focal length range. The operating concept seems conclusive. The video features are rather average. Kodak Easyshare Z5010 is now commercially available.

Nikon New Cameras: Nikon 1 J1 and Nikon 1 V1

Nikon introduced two new models; Nikon J1 and Nikon 1 V1 at the presentation in Berlin. With these new digital cameras, Nikon shows its interest on mirror-less system camera segment; a segment that is dominated by Panasonic and Olympus. While competition among Olympus, Panasonic, Samsung, and Sony increases, Nikon makes everything different.

Nikon has invented a new sensor format: CX. It is significantly larger than that of compact cameras - which increases the image quality. But it is much smaller than Nikon's SLR class - about half as large. This is much smaller its competitors.

Nikon 1 J1 and Nikon 1 V1: First Mirror-less Digital Cameras from Nikon

Nikon itself speaks of the optimal balance of lifestyle (there will be compact, colorful models) and image quality. Nikon also repeated the fact that the new class of device will not damage the booming segment of the SLR. These two models are positioned as an additional digital camera or camera for serious amateurs.

Nikon 1 V1 comes with 10-30 mm zoom lens. The digital camera works with value and with their relatively heavy metal housing. The less expensive Nikon 1 J1 is simpler; it has the same technical innards, but a few less features.

Nikon 1 V1

How good are Nikon 1 V1 and Nikon 1 J1?

Photographed before and after release

With this mode, Nikon wants to prevent that you miss the right snapshot mode. Practically it works when you hold the shutter button down halfway. The digital camera takes pictures already and stores them in memory. A total of 20 photos are taken, from which the internal image processing selects the five best qualities and make it available. In practice, the handling is actually very easy - you just have to to aim at the subject in time.

The moving snapshot

With this mix of video and photo Nikon has invented a new form of photography. The result is a very short video sequences in slow motion (and with music background), a still image - the actual photo as JPG - included. In practice this works well so that you keep pressing the shutter button halfway and triggers the right of the statue. The result looks professional and is reminiscent of cheesy slow-motion scenes from RTL-reality series.

Filming and photography at the same time

The digital camera has two shutters: one starts and stops recording of full HD movies. The other makes snapshots of the full image resolution of 10 megapixels. Unusual about these photos is that they are stored in 16:9 format (normal is 3-2).

Ten photos per second

The digital cameras provide for the continuous shooting mode after ten frames per second (at full resolution of ten megapixels) is actually ten times the sharpness. Test shots of fast moving objects in bright room light with good results. As would be expected under these critical circumstances, not every shot was crisp sharp, but almost every photo is good.

In the operation of both cameras soon becomes clear that Nikon-1 digital cameras are made for people who shoot primarily in automatic mode, adjust it if necessary in the details. Although both cameras also offer refinements from the SLR class, but sometimes you have to laboriously click through menus to adjust it.

Unfortunately, the Nikon 1 V1 has no built-in flash, for example, to brightening of faces (when the J1 is a built-in). It has at least one connector for an external flash that also will soon come on the market (as well as a GPS module). This connector is covered with a cap.

Nikon has equipped the V1 with a good electronic viewfinder, which lacks the ease of J1. Other differences between the two models: The V1 is a bit heavier and Available only in black and white. The J1 is available in silver, red and pink on the market. In addition to the electronic shutter, both have mechanical shutter.

Nikon 1 J1

Nikon 1 V1 and Nikon 1 J1: Conclusion

Nikon is a latecomer in the mirror-less system cameras with real innovation and an exciting concept to convince, which is located between compact and SLR cameras. This protects the sale of better quality Nikon SLR models.

Whether the image quality of Nikon cameras can compete with the direct competitor of Sony, Panasonic, Samsung and Olympus, more market tests will show. Another interesting question remains: How will Nikon’s rivals respond?

Olympus E-PM1 Micro Four Thirds Digital Camera Review

Olympus E-PM1 is the current family of Olympus PEN. The "M" in the product refers to "mini". And in fact, with the new mirror-less system and kit lens 14-42/3, 5-5, 6, the E-PM1 is a few grams less than other precious-compact camera.

The case of the Pen E-PM1 is barely larger than professional compact cameras such as Canon PowerShot G12 or Nikon Coolpix P7100. It’s already makes very pleasant impression at the first sight: The front is completely flat, only the lens bayonet and the release button protrude a few millimeters. The matte black painted metal surface feel cool in the hand.

Olympus E-PM1 is 20 grams lighter than the Nikon Coolpix P7100. The projecting lens ensures that the left hand can support the digital camera - a good thing because they can not keep one hand particularly secure.

Olympus E-PM1: More Details

The 16:9 screen on the back of the digital camera is equipped with a diagonal measurement of 7.2 centimeters. The viewfinder image is very clear. Left and right of the display is framed by broad black bands. And the sparing of 460,000 points, which dissolves the monitor, thus remain just about 365 000 pixels for image display. There is also an optional viewfinder VF-3, which resolves with 921,000 pixels and a very fine addition to swivel as required by up to 90 degrees up.

Buttons and switches are there only for the most essential functions. The Olympus E-PM1 has a multi-functional scroll wheel on the back, which serves as a four-way rocker.

The iAUTO function on Olympus E-PM1 digital camera allows fully automatic shots. It selects one of the nearly two dozen scene modes for the appropriate for the particular shooting situation. Unlike many others, the fully automatic mode allows the interference in the image design - saturation, hue, brightness, shutter speed, etc. can be adjusted to your own ideas. Of course, each scene mode is also selected specifically; the Olympus E-PM1 however offers only very limited intervention. Olympus has also equipped the E-PM1 with six effect programs that create such a black and white picture.

The digital camera offers fully automatic as well as fully manual settings. On behalf of many other functions (such as white balance and ISO speed) are here again the many choices of bracketing enumerated: The step size can be adjusted to 0.3 EV, 0.7 EV or 1 EV, can also be determined whether the camera to accommodate two, three, five or even seven photos per bracket. Similarly demonstrates the versatile flash function: Besides the standard fare, it also offers treats such as the glint on the second veil, optionally in combination with the red-eye reduction and slow sync. In addition, the flash output can also be controlled completely manually. It goes without saying that the flash output can also customized via flash exposure compensation. As one might almost forget that the Olympus E-PM1 has no flash on board. After all, the Olympus camera sets a small, clip-on guide number of 6.8. Disadvantage of this solution: If the flash is plugged into the system boot, a video for the viewfinder or use other accessories cannot be used.

Continuous shots are possible with Olympus E-PM1: With six images per second, it gallops off until after about eight shots of the buffer memory is full - a very respectable pace. The E-PM1 takes just under three JPEG shots per second until the finger is taken off the trigger.

The playback mode offers various slideshow options with various transition effects. Olympus E-PM1 records movies at up to 1,920 x 1,080 pixel full HD resolution. The videos are stored either in a space-saving AVCHD format or as a friendly processing AVI files with M-JPEG encoding. All configuration options of the modes P, A, S and M stand for the movie available. The digital camera records sound in stereo. The autofocus adjusts shooting of the video on demand after the sharpness, but rather slowly and pumping.

Olympus E-PM1 is offered exclusively as a set with the Zuiko Digital Lens 14-42/3 ,5-5, 6. The zoom lens covers based on the small picture format, a focal length range from 28-84 mm and is extremely lightweight and compact, the minimum focus distance is 25 centimeters. For transportation it can be very handy to seven inches long pushed together, but with an unpleasant side effect: If the lens is locked in transport position and the camera is turned on, it responds with an error message.

Olympus E-PM1 is impressively quick sharp: Around 0.33 seconds is needed to focus and trigger. This places it roughly on a par with the Panasonic Lumix G3 and is a tenth of a second faster than the Sony NEX-C3. The focus of the E-PM1 is quite convincing, this is equally true for its functional diversity. In addition to the usual static and continuous AF modes, the digital camera has a tracking function. You can also pursue a subject that moves within the frame and keep it in focus.

35 focus areas at its disposal, each with nine of them can also be summarized in one group. In adverse lighting conditions supports a bright-orange auto focus assist lamp. Practically, moreover, that the focus point can be manually readjusted - slight enough turning the focus ring of the lens.

The image stabilizer does its job well, to follow suit, it can also be configured to allow only vertical movements are compensated.

Olympus E-PM1: Image Quality

Olympus is one of the Micro Four Thirds standards. It stipulates, inter alia for the recording sensor detects a diagonal of about 21.5 millimeters - which corresponds exactly to the half-diagonal of the sensor in small picture format. Thus, the image intensifier of the E-PM1 is relatively small; an APS-C sensor has about 80 percent more area.

Up to ISO 800, the signal to noise ratio goes with values of about 40 dB in order to reach critical level of 35 dB, the E-PM1 at ISO 1,600. Correspondingly, takes the luminance noise from ISO 800 to be visible, is much more onerous the color noise only from ISO 6400, however unpleasant. This in itself is perfectly acceptable noise levels paid for the mini-pen but with loss of detail, which starts at ISO 400 at ISO 800 are measurable and visible - a clear indication that the noise suppression interferes strongly. Processed in-camera JPEG files are effective even at ISO 1600.

Very similar to the image at the input dynamic range: Up to ISO 1600 processes the Olympus E-PM1 a very high dynamic range of at least 10 stops, at higher ISO values then you go down significantly. Less nice is that the actual sensitivity of all ISO levels across about 1 / 3 EV set lower than - the mini-pen just a little overexposed. In association with the tone curve can be tuned more crisp shadows run the camera so quickly. Those who value detailed should be better to record in RAW format.

Olympus E-PM1: Conclusion

Olympus E-PM1 shows great contrast in features and image quality. This is recommended for professional photographers as a replacement for compact camera or as an second camera.

Regrettably, the reduction measure in the ergonomics of the E-PM1 has suffered somewhat. There are too few switches and buttons, many important features are just awkward to reach over the menu.

Most disturbing, however, that is the 16:9 wide-screen viewfinder and photos in standard 4:3 format are too small. Compared with older generations Olympus E-PM1 has increased the focus and shooting speed significantly, the auto focus is now on par with a full-blown DSLR.

The E-PM1 also offers video recording in full HD resolution and stereo sound, and then stores them in a contemporary format AVDHC. The picture quality at ISO 800 is outstanding even with the cheap kit lens, especially impressed with the slight loss of resolution at the image edges.

Olympus E-PM1 is now commercially available.

Panasonic Lumix DMC-G3 Micro Four Thirds Digital Camera with Touch Screen

Panasonic Lumix DMC-G3 praises as the currently "smallest and lightest micro four thirds digital camera with integrated electronic viewfinder" and makes it unmistakably clear: The third edition of the G-series has received a completely new housing. But even under the hood has changed a lot; the 16 Megapixel sensor is now replacing the twelve megapixel on its predecessor the G2. Nevertheless, Panasonic promises that the noise level compared to the G2 has been improved by up to 66 percent.

So far, the Lumix G series was always smaller than a conventional DSLR. The G3 comes with very elegant design. The digital camera has fallen significantly slimmer than its two predecessors. Despite the diet, a camera bag is still required to own a camera bag, because it still to bulky overall.

The weight of Panasonic Lumix DMC-G3 has declined far less by the way; ten percent less than the G2. The G3 however is not nearly as solid in the hand as its predecessor; it simply lacks the distinctive handle.

Panasonic Lumix DMC-G3 has a touch-sensitive display, where it employs almost through quick menu as fast as an iPhone. Unfortunately, the camera digital reacts somewhat reluctant to finger tip, which is sometimes confused. The G3 can be triggered via the touch screen - but not without having been brought into focus quickly on the selected image portion. This went on, however, the G2 also - and more: The predecessor of the G3 switched automatically from the electronic viewfinder (EVF) to the display when the camera was taken from the eye. That's regrettable, because the swiveling and folding screen is virtually indispensable in the G3 to configure the camera. Although the menus appear in the EVF - but who wants to already look through the viewfinder, while the fingers of the right hand desperately looking knobs!

Panasonic Lumix DMC-G3: More details

The viewfinder image is bright and clear, and thanks to 1.44 million pixel resolution in detail. When swiveling under normal light, it follows the movement very quickly, first in the dim light the display noticeably jerky. With 100 percent frame coverage and 0.7x magnification (relative to image) of the viewfinder is larger than many APS-C cameras, it shows much more information on request anyway. Not quite as lavishly equipped with the rear screen pixels, it dissolves with 460,000 pixels, at best, on average, yet. The menu of the Panasonic Lumix DMC-G3 is well arranged and distributed to sub-pages long lists. These sub-pages, however, can not specifically select, you should always browse the entire list to get to the desired command.

What remains are the good 20 scene modes. Panasonic Lumix DMC-G3 offers an Auto Picture mode, which can be turned on quickly with the "bo" button. In this mode, the camera automatically selects one of seven programs for Photos or four programs in video mode. A new addition is the '+ iA "mode. It allowed intervening in the automatic settings. The exposure and white balance are adjustable.

The exposure was extended, it now includes the high range of + / - 5 stops (EV), in G2 it was only + / - 3 EV. This provides enough flexibility for creative photographers, especially since the Panasonic Lumix DMC-G3 can be operated as a traditional-like machine, and semi-automatically by time or aperture priority and can be controlled completely manually. The latter is true not only for exposure but also for the focus. It provides the G3 is a new focusing aid: it shows in the middle of the display by request a four-fold magnified image of. The usual five-or ten-fold magnification can be switched quickly via thumbwheel. Also new, a special "needle peaks" is autofocus. It enlarges the viewfinder image and makes it so particularly sensitive to set the desired focus point.

The digital camera is now full up to full HD resolution (1,920 x 1,080) on, in either 50i or 25p. The video recordings can be stored in a space-saving AVCHD format while the MJPEG format is still available. Also new: The video recording takes the G3 to the desired sharpness. Alternatively, the focus point by a light fingertip touch on the display is set during the recording to any part of the image - which is great. In contrast to the G2, Panasonic has donated a stereo microphone, plus there is an electronic wind filter, which can be configured in four stages.

Compared to its predecessor, the G3 also sets the burst speed. It now creates up to 20 pictures per second (fps) - but only at reduced to around four megabytes of file size. In full resolution, it is a maximum of 4.9 fps, although it is full after only seven images of the buffer and continues the series of recordings with only one image every two seconds. As an action-camera, the G3 is not so well with the more rapid-sequence.

The auto focus is incredibly fast - at least for a camera that works with contrast detection on the image sensor. The continuous AF, which stands at the G3 also available in video mode is very impressing. For panning, the stabilizer can be switched into a special mode, in which only vertical camera movements are compensated.

Panasonic Lumix DMC-G3: Image Quality

The input dynamic RECOURSE to ISO 1600 at a high level of nearly 10 f-stops (EV) - and thus just barely missed a top rating in this discipline. Beyond the ISO 1600, the dynamic range decreases rapidly. The color noise is significantly onerous, however critical and always has his little bit unexpected peak already at ISO 200 - a sure sign, Panasonic Lumix DMC-G3 that interferes with higher ISO numbers, the noise suppression.

The noise suppression is a very good: Even at ISO 3200 show the pictures even more details than one would think the noise curves left, up to ISO 1600 there are nearly as many details as the base sensitivity.

The manual white balance correct colors are very good. The automatic white balance, however, has one time or another difficulty in finding the correct setting. Especially for subjects in shade or diffused light, it reinforces the dominant colors, such as the green in the deep forest. In general the photographs show a slightly exaggerated fondness for green and magenta tones. The color fidelity is not always very accurate.

After all, the digital camera refrains oversaturated colors, the color reproduction is more strongly coordinated, but not gaudy. This is also similar to the tone curve, which tends towards moderate "crunchy". The image editor is pleased that vote fewer, the more the photographer that wants to present his shots without much ado on paper or on screen.

Panasonic Lumix DMC-G3 features also in high-quality RAW format that avoids the weaknesses of the small in-camera image processing. All in all, the Lumix G3 provides a significantly better image quality than its predecessor.

Panasonic Lumix DMC-G3: Conclusion

The G3 is a great upgrade. The picture quality compared to the predecessor makes a significant leap forward. Despite the increased sensor resolution, Panasonic has given the noise problem with the G3 so well under control that they can be used without remorse to ISO 1600.

Even with its video capabilities, the G3 is the amount of time filming with the camera can see (and hear) can. In return, unfortunately a lot of good in the predecessor has fallen by the wayside. By eliminating the most dedicated switches and buttons, and especially the eye sensor suffers the ergonomics of the camera, although it is easy to operate thanks to the formidable touchscreen.

The display can be swiveled in almost any position and rotate, but its resolution is average at best. The streamlined enclosure during transportation of the G3 brings no significant benefits, but is nowhere near as good in the hand as the G2, with its strong grip. Despite improvement in the continuous shooting speed is still low. The bottom line is the G3 is a good camera system, which reaches its full potential with the kit lens but can not develop completely.

Some might say that this is not worthy successor to the G2, but we say Panasonic Lumix DMC-G3 is absolutely worthy successor.

Sony NEX-7 Digital Camera Review

More than a tiny digital camera, 24.3 megapixels NEX-7 has exceeded expectations. Here's the performance that gives envy most DSLR cameras, including interchangeable lenses, OLED point 2359K eye level viewfinder TTL, up to 10fps shooting, and the remaining Tri-NAVI 3-speed manual control. HD movies are amazing in Full 1920 x 1080 resolution sa 60p, 24p and 60i.

Here both APS-C sensor size as a DSLR, with a higher resolution than most DSLR and SLR interchangeable lenses that make it attractive. But the camera is about half the size and weight of a typical DSLR camera. Removing the mirror box and allows the conventional viewfinder.

You get incredible detail and beautiful thanks to the expansion of the 24.3-megapixel sensor. This is the highest resolution compact digital cameras in August 2011.

There was never any genuine like Tru-Finder OLED electronic viewfinder. For the size, speed and clarity even after sunset, it is a gem. This eye-level, through-the-lens, viewfinder starting point to 2359K stunning resolution and high contrast ratio for incredible depth. OLED reduce blur to a minimum. You can also see the results of camera adjustments in real time with amazing color and detail.

Get a good time in the gym and get a photo of the ideal baby. Up to 10 fps continuous shooting at full 24.3 MP resolution with the exposure and the focus remains on the first frame. Standard continuous shooting up to 2.5 fps.

Sensor size is a key image quality. Class APS C sensor offers beautiful imagery with area 58% more on Micro Four Thirds sensors and 13 extraordinary times where the point & shoot image sensor.

Get HD Movie on your choice of the most subtle 60p, 60i or 24p cinematic flat, all in 1920x1080 Full HD resolution. AVCHD codec provides stunning picture quality. MP4 codec offering to upload smaller files more easily to the web.

Now you do not have to give up control when you're shooting HD movies. Enjoy the full expressive potential of the Program, Shutter Priority, Aperture Priority or Manual (P / A / S / M) control the HD movie mode.

Perfect for experienced shooters, Tri-Navi control provides you with three separate call control for direct, hands-on access to the three settings at a time. As one example, can quickly adjust aperture, exposure compensation and ISO.

Built-in flash pop-up flash photography Enjoy the comfort of wherever you go. Guide No. 6.

Take your photography further with access to a variety of Sony α system flash flash and accessories.

Receiving Mount lens adapter with both adapter LA-EA1 and EA2 (sold separately) allows you to attach a variety of Sony A mount lenses.

EA2 LA-mount lens adapter (sold separately) is the world's first winner of the Sony Technology translucent mirror. It provides the most rapid phase detection AF and accurate when used with Sony A mount lenses.

The key to a specific object and maintaining focus even as the subject moves. Unexpected subjects remain in focus even while zooming. You can focus on composition without worrying about focus.

Help ensure that the image you want is a picture you get. Occurs when the auto focus, release time lag is the delay between pressing the shutter button fully and release when the camera actually takes the picture early. The long delay makes it more difficult to capture fast moving objects. Sony NEX-7 offers the shortest time the release of the world (August 2011) of 0.02 seconds,

Compatible with an expanded line of Sony Mount lens E. The smaller, lightweight lens designed specifically for compact interchangeable lens cameras α. Opening the world of creative options.

The focus of the manual will be easier because the edges in focus highlights culminating in your choice of three colors (white, red, or yellow). This is very helpful for macro photography or portrait setting where your focus can make or break your shot.

Get a beautiful wide shot Vistas at 16:09 in spectacular 3D. When you are sweeping panoramas, the camera records separate left-eye and right eye images that make the scene come alive in 3D television. Record both JPEG and MPO file format.

Automatically extract a large landscape. Press the shutter button, vertical or horizontal sweep. The camera is amazing, continuous shooting of photos and stitching them together.

Utilizing a fast BIONZ processor to take six pictures in a split second, and then combine the data. The result is a single large image control modes Anti-blur Motion Blur or get clean, crisp images handheld dusk to night mode.

High Dynamic Range (HDR) photography scene would be more in contrast with a single exposure can be handled by combining the best highlight detail in the shadow detail of the best shots from each other for a fantastic shot. (Recommended for subjects still.)

Enjoy a full range of controls for video and still shooting from beginner mode iAUTO P / A / S / M: Program, Aperture Priority, Shutter Priority and Manual. On-screen prompts to help you hone your skills, build your confidence and do more creative control.

Pre-focus when you write your shot, focusing on further reducing the time to a minimum.

Uniify and simplify the smart Sony technology. Taking advantage of the Intelligent Recognition stabilization, Face Detection technology scene, and Optical SteadyShot image without leaving an automatic mode so you always get the best possible images.

Brain cameras Sony BIONZ image processor to substantially improved 24.3 megapixel photography needs. Chroma noise reduction provide high-resolution images, low-noise even at ISO 16 000 sensitive. Also allows the rapid processing of up to 10 fps data-intensive continuous shooting 24.3 MP images, 2D/3D panorama mode sweep and a 6-image layering.

Increase results backlit subjects and recover details hidden in shadows. These settings include Auto, level with a choice of five levels of operation and active.

Sony Alpha NEX NEX5K/B Review

I like photography and wish to own a camera with me as usually as potential, however carrying an SLR digital camera in any respect times is a smaller amount than sensible. however i need higher image quality than most cellphones and point-and-shoots are capable of. Thankfully, a replacement section of cameras has appeared on the market that bridges the gap between these 2 varieties of cameras… sufficiently little to suit in your pocket, however no sacrifice in image quality. With massive image sensors and interchangeable lenses, these cameras supply abundant of a DSLR’s functionality however with a way smaller physical footprint.

Why Sony Alpha NEX NEX5?

Sony’s NEX series of cameras is that the most up-to-date entry into that class of little cameras with interchangeable lenses. I picked a Sony NEX five whereas on vacation in London over the summer and having been using it quite a little since. it's an incredible very little camera that packs lots of capabilities into a awfully little package, however it isn’t while not its drawbacks.

First, let’s get a number of the specs out of the way:

• The quality of a DSLR in about half the size, weight
• World's smallest, lightest interchangeable lens camera
• Same APS-C sensor size, same resolution as Alpha DSLRs
• 14.2 MP; up to 7 fps shooting; ISO 12800 sensitivity
• World's first in class1 with 1080/60i Full HD movies

As stated previously, this can be a awfully little digital camera. The NEX five body is that the size of a typical point-and-shoot camera (about 4” wide and 2” tall) and with the 16mm f/2.8 lens hooked up, it will simply slot in most pockets. Sony claims that this can be the world’s smallest and lightest interchangeable lens digital camera and that i am inclined to believe them. Despite its little size, this can be a reasonably rugged camera too… an all metal body with terribly solid, durable construction. Most of the rear of the unit is occupied by an outsized, tilting, 3” high-resolution LCD screen that's a pleasure to look at. there's no optical viewfinder on this camera, however the screen is therefore nice that I rarely found myself missing the eyepiece.

More importantly, with the proper lens hooked up, the image quality of the NEX five is beautiful. Below may be a shot taken with my NEX five close to my home. nice detail and colours for such alittle camera.

I suppose I shouldn’t be shocked by the NEX 5’s pictures though. It options a 14mp APS-C sensor… constant size sensor as found in most DSLR’s. By removing the mirror mechanism, Sony was able to take the heart of a DSLR and cram it into this terribly little package while not sacrificing abundant quality within the method. The camera will shoot up to a whopping 7fps and captures superb 1080i video still. Low lightweight performance is spectacular too… ISO ranges from two hundred to 12800 and is produces pretty sensible results even at higher levels:

Another sudden edges of the NEX five has been the explosion of lens adapters out there. you'll be able to attach Sony’s larger A-Mount DSLR lenses to the camera, however there are adapters out there for Canon, Nikon, Leica and additional. Most of those adapters can solely support manual focus, however it’s nice to own the choice to use a number of your existing lenses if you have already got a standard DSLR.

So, with all that I actually have already said, i need to fully love the camera and provides it a high recommendation for anyone, right? Well… just about. There are some downsides to the NEX five that ought to be thought-about before creating a purchae.

First and foremost is that the price: the NEX five isn't low cost. the smallest amount expensive package (the NEX five camera and a 16mm f/2.8 “pancake” lens) is $650. For $150 additional, you'll be able to develop a kit with an extra lens (18-55mm f/3.5-5.6 image stabilized) and alittle flash. however at a value between $650 and $799, the NEX five is clearly in DSLR-pricing territory. for many folks, this suggests selecting between the NEX and a Canon T2i or a Nikon D3100. Sony will supply a NEX three for $549, however you'll hand over the metal body and higher-resolution video capability of the five.

The next hit to the NEX five is additionally one in all its advantages: its size. Sure, with the 16mm f/2.8 pancake lens hooked up, the NEX five is fairly svelte and is straightforward to hold in an exceedingly bag or pocket. Attach a special lens though (such because the 18-55mm) and any thoughts of putting this camera in your pocket can immediately soften away. is that the camera still smaller and lighter than a DSLR? Totally. however if the dimensions suggests that you have got to hold one thing around in an additional bag or on a camera strap anyway, why not simply grab your DSLR instead?

Another issue is that the lens choice. The NEX five uses a replacement lens mount (the E mount) and therefore the pool of lenses designed for it's pretty sparse. Sony solely has 3 choices out there right now: the 16mm f/2.8, an 18-55mm f/3.5-5.6 and an 18-200mm f/3.5-6.3. Granted, this can be a replacement camera system and it takes time for lenses to be developed, however that doesn’t amendment the actual fact that DSLR’s from Canon, Nikon, Pentax, etc. all have dozens of lenses out there already. Even the equally sized Micro 4/3rds cameras from Olympus and Panasonic have additional lens choices on the market.

My final criticism is with the controls (or lack thereof). I do appreciate the sparse, minimalist style of the camera, however I quickly realize myself missing dedicated controls for things like ISO, WB, Focus area, etc. With the foremost recent firmware put in, a number of this stuff is assigned to 1 of the two custom buttons on the camera, however it still feels terribly restricted. And even when months of use, I still can’t work out some way to lock exposure on a subject matter and recompose the image. This camera feels additional sort of a point-and-shoot in these respects and you’ll have to be compelled to be willing to offer up some level of management whereas using it.

The NEX five is reasonably a weird beast and that i have some bother working out specifically where it fits within the grand theme of things. Is it meant to switch my purpose and shoot? If therefore, it's too huge with something apart from the 16mm lens hooked up. Is it meant to switch my DSLR? Sorry, i'm not leaving behind my dedicated controls and enormous assortment of lenses. therefore there the NEX five sits… the odd middle kid that doesn’t have a transparent plan of what it's speculated to be.

Strangely enough though, I don’t regret buying the camera at all… actually, I went on to shop for another for my wife. The NEX five has become the camera i am going to after I simply desire a fast image while not an excessive amount of effort and it's the additional advantage of manufacturing pretty nice results. I keep the NEX five (with the pancake lens attached) in my messenger bag all the time still, therefore it's sometimes the most effective camera I actually have with me at any given time. after I travel currently, as well, this can be the camera that comes along for the ride… the DSLR generally stays home.

Sony Alpha NEX NEX5: Conclusion

Would i take advantage of it as my primary camera? most likely not, for all the negatives listed on top of. But, if you'll be able to abdomen the price, it makes a extremely convenient and fun second camera. within the future, with a lower value and additional out there lenses, I might see this being a awfully solid camera system. For currently though, the majority are most likely higher sticking to their DSLR/P&S combo.

Panasonic Lumix DMC-FZ48 Super Zoom

Panasonic Lumix DMC-FZ48 offers faster, feature-rich, with newer technologies – than its predecessor the Lumix DMC-FZ45. As with the DMC-FZ45 Panasonic built the successor Lumix DMC-FZ48 also with a Elmarit zoom lens, specifically one claims to be very bright and versatile Leica DC Vario-Elmarit 2.8-5.2 24xSuperzoom / 25-600 mm.

Also on board the newcomer equipped with a high-speed CCD sensor with 12.1 megapixels, which is pretty good harmony with the Full HD image processor, Venus Engine. It is twice as fast series of images possible with the former, which is a value of 3.7 frames per second.

Panasonic Lumix DMC-FZ48: What’s in it?

Panasonic Lumix DMC-FZ48 digital camera also capable of recording full HD videos. The resolution is 920 x 1080 pixels. The results store in MP4 format.

The well-known for 3D TV and 3D Blu-ray player manufacturers also enables the new Lumix DMC-FZ48 with a 3D-image mode to make three dimensional images.

Panasonic Lumix DMC-FZ48: Conclusion

Panasonic Lumix DMC-FZ48 is a worthy successor to the Panasonic Lumix DMC-FZ45. The FZ45 digital camera did inspire countless magazines, landed a few times and was the title winner at the time, only marginal improvement needed.

Panasonic Lumix DMC-FZ48 is packed with the latest technology and offers photographers the opportunity to concentrate fully on the creative moment of photographing.

Panasonic Lumix DMC G3 Review

Panasonic Lumix DMC G3 offers the advantages of a DSLR interchangeable lens system camera with a point-and-shoot camera's compactness, light-weight weight and ease. This reduction in size and weight is because of advancements in mirror-free viewfinder technology, and huge DSLR format sensors that are additional compatible with a replacement category of compact Micro Four Thirds (MFT) System lenses. This new category of Compact System Cameras (CSC) offers a weight and compactness not seen in ancient DSLRs, for larger portability and inventive management. The DMC-G3 image resolution has been upgraded to sixteen.0-megapixels from its predecessor, the DMC-G2.

Panasonic Lumix DMC G3: How good is it?

Panasonic Lumix DMC G3 provides a standard DSLR-like expertise with an external Mode dial for fast access to common modes like Program, Shutter and Aperture Priority, Manual. further dial settings embody 2 Custom Modes, Scene Modes and also the new artistic management Mode. The DMC-G3 provides an avid video button which will be used to modify to video capture quickly while not changing modes. Like most DSLRs, the DMC-G3 provides a built-in flash and hotshoe for connecting optional LUMIX flashes.

LUMIX G Series Compact System Cameras utilize the Micro Four Thirds (MFT) System mount. MFT offers greater size and weight reduction in the lens without compromising lens performance and clarity. The LUMIX G MFT System offers a selection of 11 high performance fixed focal length and variable aperture G Vario zooms, including a highly versatile 3D lens capable of capturing both 2D and 3D images at the same time. There are lens adaptors available for mounting older Leica M and Leica R lenses, including older LUMIX full Four Thirds lenses. An innovative 14-140mm HD G Vario lens provides the best of video and still-image shooting with a long 10x range and near silent high-speed focusing. When connected to Panasonic Lumix DMC G3, ultra fast focusing and auto subject track AF can be achieved.

The LUMIX DMC-G3 also shoots 1080/60i High Definition video using the AVCHD format (sensor output 30p). It offers a built-in stereo microphone and is available with Dolby Digital Stereo Creator. Advanced video sound controls include a wind-cut function that further enhances the sound as it helps reduce noise caused by background wind, and an L/R audio meter display for controlling audio levels. Captured video can be played back in High Definition via an optional HDMI mini cable directly to an HD-compatible TV, or easily played directly on Panasonic VIERA TV via the SD card. New near silent focusing features offered in several Lumix Micro Four Thirds lenses helps keep lens noise at bay while the touch-enabled LCD allows you to automatically keep active subjects in focus with touch-enabled subject AF Tracking.

Panasonic Lumix DMC G3: What Consumers Say?

If you have looked on with dismay as Panasonic abandoned the enthusiast small M4/3 and instead chases a smaller and smaller and dumber and dumber form factor with the GF line, then you now have a reason to be happy. It appears Panasonic is positioning the G3 as the successor to the GF1. They might not know that but that is how I view it. Viewed as a replacement to the G2, the Panasonic Lumix DMC G3 is a bit of a let down. Much the way the GF2 was compared to the GF1. However, the G3 is a great replacement to the GF1. It is a little bigger but not that much. The physical controls are the same but now there is touch screen controls and to make up for many of the missing physical controls there are the C1 and C2 modes on the mode selector. a Before continuing something that very few people seem to understand with these camera systems is the lens, not the camera body, determines how big the camera is. I will use extremes to illustrate the point. Put a 14mm f/2.5 on a GH2 and it seems very small. You can't put it in a shirt pocket but it will fit inside a jacket pocket. Also, you can get it in a very small carry case. It is so small and light I use a wrist strap and not a neck strap. Put a 100-300mm on a GF3 and it is going to be huge and because of the form factor really unusable.

The first thing to note about the Panasonic Lumix DMC G3 is the price is $699. That is $100 cheaper than the G1 or G2 at launch and $200 cheaper than the GF1. In addition to being $200 cheaper than the GF1, the G3 has a built in EVF (would have been nicer rangefinder style) and a swivel screen.

Another nice change from the G2 and the GF line is the new sensor. Panasonic and Olympus have been using a 3 generation old sensor in every m4/3 line except the GH line. The G3 now has a new 16mp sensor and updated image processing engine. The G3 takes slightly better pictures than the GH2.

As far as IQ goes, the m4/3 are not as good as DX sensors and they never will be as good. The same way as DX sensors will never be as good as FX sensors. All else being equal. With that said, IQ merits some discussion as most people don't really understand it and most "professional" review sites confuse the whole issue. Here is everything you need to understand on the issue. First every generation of sensors the differences between m4/3, DX, and FX decreases. At some point the difference become negligible. Where that point is depends on what you want to do. IQ is very dependent on the size of what you are going to do with the image. I think for the vast majority of what people are doing, the differences are already negligible. Here are a couple of examples of what I mean. The biggest of computer monitors is right at 3.6mp. Most are around 2mp. That means to view a medium format 40mp image on a (2mp) monitor you are only using 5% of the image data. The rest is getting thrown away. For a 16mp image you are using 12.5% of the data. So that means noise, detail etc is getting thrown away as you deres the image. The same goes with printing. The human eye can see 200-300 dots per inch (A useful piece of information is monitors used to be 72 dpi and are somewhere around 96 dpi. That means if you blow an image up to 100% on your computer screen you are effectively magnifying by 2 to 3. Therefore, the images at 100% on the computer monitor are not going to look as good as on paper) Using 200 dpi, that means you need 2000x1600 pixels to print a decent 8x10. If you do the math that means you need 3.2mp to print an 8x10. (At 300 dpi you would need 7.2mp) That means for a 16mp image you are using 20% of the data. If this fits what you are doing, then any IQ differences are not important for you. As you start printing larger than this, the difference can be noticeable.

Where these m4/3 cameras excel is handling. The GH2 is the king, in my opinion, for handling. The controls are so well laid out it is a breeze to do anything you want quickly. Additionally, the contrast based auto focus is so fast, that live view is exceedingly useable. The swivel screen gives you huge options over a hold up to the eye only or a fixed back screen. You can hold the camera way over your head or way down by your feet and still frame the image.

On top of that is the light weight. It has gotten to the point that I don't travel with my Nikon D7000 at all. I only keep and use that for portrait/wedding/event type photography (I did however just shoot a wedding with m4/3 only. The 100-300 was my primary lens. It is a little slow but still grabbed some amazing shots). I usually travel with 2 GH series bodies, 5-8 lenses, and an iPad all in a Domke F4 bag. (With my G3 I will now travel with 3 bodies) All of this weighs right around 10 lbs. You could also just carry the 7-14, 14-140, and 100-300 lenses and cover from 14mm to 600mm equivalent with 3 lenses. All of these lenses can be attached to 3 camera bodies and in the F4. You could even add a 4th body and add the 20mm f/1.4. That would still fit in the F4 and weigh in around 10lbs.

I don't really do that much with video so I am not really going to comment that much on it. However, video on the G3 is far easier and more useable than any DSLR except for the Sony A33/55. Also, there is a built in stereo mic but no external connector. I don't think the latter is big deal for most people.

Construction on the Panasonic Lumix DMC G3 is very nice. It is the first of panasonic m4/3 which uses aluminum in the construction instead of all plastic.

Handgrip. I am a little disappointed at the loss of the handgrip as it is essentially free. I am still not sure how I feel about the new hand "bump" especially for the bigger lenses. I will have to report on that one later. If you are coming from a GF1 then this is a step up. Since the old handgrip was shorter than the shortest lens, I am not sure what we are really gaining by this. It also means the loss of space for the battery so Panasonic had to use a smaller battery. I believe it is the same as the GF2. The smaller batteries means less pictures so make sure you have a spare. It is rated at 270 shots but a secret with Panasonic m4/3 is to turn your camera off after shooting. Doing that I get around 750-800 shots. I also have the auto review switched off.

For anyone who is new to a more complicated camera, Panasonic has two very cool features to make it a little easier to use. The first is Program shift mode and the newest one, only on the G3 right now, is iAuto+. The program shift mode obsoletes the Aperture priority mode. As you press the button half way down to get the exposer numbers. You can then rotate the thumbwheel to goto a bigger aperture (smaller DOF) or larger aperture (larger DOF). The iAuto+ now allows you to adjust white balance, exposure compensation, and aperture (defocus control). This is a very handy feature and is good for the expert and beginner alike. For the expert you can now stay in iAuto more often when in a fast moving shooting situation. The camera will recognize the scene and make hundreds of changes to make the scene look best as possible. You can now easily change the exposure and work the aperture. For the beginner, you can start in iA. After getting comfortable with that you can now start playing with aperture and exposure (the 2 most important controls in my opinion) while still having the "safety" of iAuto. When you get more comfortable with that then moving to P mode is an easy jump. With program shift there are not many reasons to shift over to A or M mode but when you need to it is there for you.

Auto ISO and iAuto ISO. Auto is based on light level and iAuto is based on light level and movement of subject.

MF Assist The manual focus for m4/3 lenses is fly-by-wire. That means there are no stops. On the first generation G bodies it was horrible. On second generation Panasonic added a scale marker which was really nice. On this generation, Panasonic added picture in picture for manual focus assist. This is a really nice feature as I can focus and frame at the same time. The m4/3 allows the use of just about any lens made. However, you lose auto focus. So for those with old film lenses there is probably an adaptor that can allow it to fit on the m4/3. For that purpose and when auto focus has trouble the new manual focus assist is very nice.

I mentioned before the loss of physical controls on the camera. For enthusiast this is a step backwards. For newbies this is probably a good thing. The touch screen implementation is very nice but I am still not convinced I like it better than physical controls. However, for enthusiast the loss of these controls is partially made up for with the C1 and C2 modes. Now before you get into the fray, you can set the camera up for 2 custom modes and then just switch between the modes. Therefore, you don't need to do as much fiddling. Also, Q menu and Display buttons are now programmable functions buttons. Therefore, if there is some function you use a lot and can't get to easily, now you can put it on one of these buttons. Panasonic's menus aren't that great. So I recommend leaving the Q menu button as is. It relieves a ton of scrolling through menus. I rarely ever use the Display button, I think the most I use it is when I am trying to go back to the display I want after it was accidentally touched.

A big loss is the auto switch between EVF and screen. On the previous Gs and GHs, there was a sensor to determine if your eye was up to the EVF. If so it switched off the back screen and switched on the EVF. Now you will have to use the button to switch. Bad move from my perspective. However, if you are coming from a GF1 or P+S, the fact that it has an EVF is a big plus.

Samsung NX5 Preview

Samsung NX5 promises the quality of SLR camera in compact size. Samsung NX5 digital camera comes with a bayonet that fits only for the in-house FX lenses. Who has other optics, has yet to calculate the price for an adapter - costing up to $ 100.

This is a very large C-MOS image sensor with dimensions of 23.4 x 15.6 millimeters, which offers a resolution of 14.6 megapixels. This smells good image quality even after time. Also an electronic viewfinder offers the Samsung NX5 Digital Camera System D-SLR-feeling, but this part is not resolved with 201 000 pixels is particularly high. It also shows just 98 percent of the actual image.

Samsung NX5: Quality

And this good image sensor does indeed promote a corresponding image quality. In various tests gabs the average score of 2.3. Up to ISO 400 seems the built image sensor provides a good image align performance. Another reason for the poor placement of the Samsung NX5 digital camera system in the current trial is likely to be the lack of sensor cleaning.

A lack of sensor cleaning can lead to dust on the sensor - and that disturbs the natural image. Good for beginners: The Samsung NX5 digital camera system offers a few scene modes, and has all the manual settings. In the video recording, Samsung NX5 digital camera records videos with 1280 x 720 pixels resolution and sound in mono.

Samsung NX5: Pre conclusion

Samsung NX5 is really good value for money.

Panasonic Lumix GF3 Test

Panasonic Lumix GF3 is a system camera in the Lumix family of products. The device can be just like a full-blown SLR can be operated with interchangeable lenses, and records up to 12 megapixels.

The flash is different than most comparable cameras that already integrated in the housing system. At the rear is a large three-inch control screen (equivalent to 7.5 inches diagonal) with a resolution of 460,000 pixels. Panasonic Lumix GF3 can also record video in full HD resolution (1920 x 1080 pixels) and saved in the AVCHD format. During video recording, a continuous auto focus with focus tracking (so-called "AF-tracking") and an intelligent automatic is available.

Under limited light conditions, the Panasonic Lumix GF3 processed ISO sensitivity 160-6400. In addition, it speeds for continuous shooting up to 3.8 frames per second without thereby reducing the need for resolution

Panasonic Lumix GF3: Plus and Minus Points

As with the other Lumix devices nothing wrong with the housing and design: The Panasonic Lumix GF3 looks very good and feels pleasantly solid. For a system camera, the housing is also made of fairly light and compact. When you consider that here already the flash is installed, the camera collects additional plus points.

The manufacturer Panasonic benefited significantly from his many years of experience in user experience and the extensive range of equipment packed into a useful operational concept. The handling of the touch screen works, as with the traditional ultra-compact Lumix cameras very well. Compared with the GF2 there are noticeable improvements in image quality, especially at high ISO ranges.

The manual parameter settings are, unfortunately, only accessible via the touch screen - a traditional mode dial on the casing would have helped the miracle. In addition, notice that the sound in video mode only in mono quality is recorded.

Panasonic Lumix GF3: Conclusion

The bottom line is the Panasonic Lumix GF3 is a worthy successor and a system of best cameras in this price range currently on the market. The image quality is already managed as its predecessor, design and builds quality as expected. Anyone who does not shy away from the high purchase price, a compact digital camera with interchangeable lens receives comfort of DSLR equipment.

Panasonic Lumix DMC-FZ48 Digital Camera Review

Panasonic Lumix DMC-FZ48 is a successor or addition to the DMC-FZ45 on the market. It also offers a huge zoom extent of 25 to 600 mm, but has a less-resolution sensor (12 instead of 14 MP), a Full-HD video mode (instead of the small high-definition format) and records images in JPEG format (no RAW). The DMC-FZ48 will be available on August.

Panasonic Lumix DMC-FZ48: How Good is it?

With a 3-inch screen (7.5 inches) and above-average resolution of 460,000 pixels, Panasonic FZ48 scores points. The operation is applied too widely targeted: it is the full manual for advanced and semi-automatic exposure, and novice point-and-shoot photographers can confidently rely on the intelligent automatic "iA". In this mode, you can pick out the scene modes from the digital camera, the right, represent by facial recognition and AF tracking people as much as possible and apply the setting of ISO sensitivity and dynamic range optimization as well. Here we do nothing more than to pull the trigger. Many filter modes invite you to play: The list includes such Expressive, retro, high-key color, sepia, high dynamics, Film Grain and Pin Hole. Contrast, sharpness, saturation and degree of noise reduction can be adjusted in the filter modes.

Panasonic Lumix DMC-FS48 is a bridge camera with an impressive focal range: 25 to 600 mm. The light intensity is f2, 8 to f5, 2 . The macro mode provides a good short-range limit of only one centimeter (wide angle). An optical image stabilizer is on board.

Video can be captured by Panasonic Lumix DMC-FZ48 in Full HD (1,920 x 1,080 pixels at 50i). The films are stored either in AVCHD or mp4. In addition to the regular image stabilizer in the FZ48 is also working an "active" mode that will keep the picture especially when walking or riding quietly. The large 24-fold zoom is also available during the filming, as is the intelligent automatic. While recording video, photos can be shot from 3.5 megapixels, without the recording is stopped.

A 3D mode is also on board, which is calculated from several slightly different three-dimensional photographs. This image can be presented as MPO-compatible devices. A miniaturization effect is included. What also interesting about Panasonic Lumix DMC-FZ48 is the list of optional accessories: for the series, there is already polarizing filter, telephoto and close-range lenses, neutral density filters and much more. This is particularly interested in advanced photographers.

The series mode is supposed to have speeds up to 3.7 frames according to the manufacturer / s - which is approaching but still not on digital cameras with true high-speed function. Series are not the specialty of the DMC-FZ48. Only if you reduce the resolution to 3 MP, can be realized series of 10 images / sec.

Olympus E-PL3 Digital Camera Preview

Olympus E-PL3 is new Micro Four Thirds Digital Camera from the PEN family. The digital camera reveals at the same time as Olympus EP-3 and Olympus E-PM1. According to the manufacturer, these three offer world’s fastest autofocus.

Olympus E-PL3 process pictures with 12.3 megapixels and light sensitivities up to ISO 12,800. If necessary, you can attach an optional external flash system. Olympus has accelerated image processing with a new processor and wants with revised shift image stabilization for more "support" provide housing for shock. In addition to individual images, the digital camera can save videos in full HD quality.

These can be in the next step through six different "kind of filter" enhance and edit individually. From the result, you can enjoy stereo sound and three-inch, swivel display screen. Unlike the other cameras, Olympus E-PL3 proves lot of courage to color: For example, the camera appears in a bright red or blue, but covered in a black or white finish.

Olympus E-PL3: How good is it?

The revised design of Olympus E-PL3 is very well to face: the housing has a striking brushed look and puts an end to the muted look of the predecessor. Add to this the usual excellent, sturdy build quality of the housing.

Even with the image quality the camera impresses with vibrant colors. The operating speed is impressive too: That it is the world's fastest autofocus is, should not be seen right away - but soon the focus is beyond doubt. Other plus points accumulated, the Olympus E-PL3 stung with their sharp, flexible, adjustable screen control.

Unfortunately, compared the inner workings in detail, there are not too many differences from the E-PL2. Who already has the latter device, an upgrade should therefore consider very carefully. Very sad is the fact that the camera offers, despite a higher price point, no built-in flash. You may need to adapt these for a hefty surcharge.

Olympus E-PL3: Pre-conclusion

If you already own one of the last PEN cameras you won’t need Olympus E-PL3. However, if you play with the idea of switching to the PEN family, this small, compact premium camera being advanced as a loyal companion in all everyday situations.

Olympus PEN E-P3 Digital Camera Test

Olympus PEN E-P3 is a digital system camera with a resolution range of 12 megapixels for still images and full HD quality videos. As part of the PEN system by Olympus, the E-P3 can be adjusted individually by various components, such as through various lenses flash or strobe lights.

Olympus PEN E-P3 offers a similar flexibility as mid-range SLR, without calling toll on the dimensions. The results appear on a three-inch color display based on OLED, which has a resolution of 610,000 pixels. Olympus sets the E-P3 with retro look of the 1980s.

Olympus PEN E-P3: How good?

Once again Olympus deserves much praise for the look: PEN, Olympus PEN E-P3 is very stylish. Although the look is evidence of bygone days, the processing is anything but old-fashioned: All controls are stuck in the socket and make a circular impression. In practice, Olympus E-P3 convincing by the speed of operation: Both the switch, and the redemption and above all, the focus move to the level of a good DSLR equipment.

The picture quality is proving to be excellent, although the relatively low resolution at first suspect something else does. Finally, one of the Olympus E-P3 also praised for its creative filter: With just a few easy steps you miss your recordings a personal touch. And because it is a system camera, you can adjust the device very well to their individual needs - the diversity of giant PEN range now makes it possible.

Olympus E-P3 and related accessories have a price: Even a small arsenal of small helpers already salted the purchase price can quickly climb into the sky. Large deficits, the Olympus E-P3 remain in the menu: There is a thread, so that the camera system currently can find their way newcomers are difficult. The control screen is 610 000 pixels with less fine resolution as with so many premium ultra-compact camera. Apart from this, appear particularly mentioned the creative filter with a short delay, which can be very annoying when reprocessing of images.

Olympus PEN E-P3: Conclusion

Olympus E-P3 would be a worthy successor to the last edition of PEN.